![]() … We have many, many LGBTQIA characters in our stories, and yet we don’t have enough leads, and narratives in which gay characters just get to be characters.” Burke went on to express her-and the company’s-commitment to 50% of Disney characters being LBTQ or racial minorities in future projects. One transgender child and one pansexual child, and also as a leader. In response, Karey Burke, president of Disney’s General Entertainment Content, told her fellow employees, “I’m here as a mother of two queer children, actually. Those statements came amid outcry on the political left about a new Florida law that protects children from kindergarten to third grade from being instructed by schools on the topics of gender identity and sexual orientation. Leaked internal Zoom videos featured at least three Disney executives expressing their commitment to pursue and embrace the LGBT agenda. ![]() The last week has given us plenty to ponder on this front. We may well instead recognize the entertainment icon’s cultural shift and, increasingly, its embrace not of wonder, but of wokeness. But increasingly, when we think about Disney, imagination isn’t the first virtue we think of. The 2016 remake of Pete’s Dragon comes to mind. I believe the Mouse House is still capable of producing those kinds of stories. ![]() Nothing in the entertainment world was “safer” than Disney. They’re lovely memories.ĭisney’s movies and shows always stirred playfulness, frivolity, imagination and a dollop of courage into stories brimming with wonder and delight. How many Sunday nights did I spend cuddled up on the couch, taking in a delightful Disney story? Many. Then there was that Sunday night staple in an era when we only had three network channels, plus PBS (oh, the horror!): The Wonderful World of Disney. My Disney memories are idiosyncratic: I remember seeing the original Pete’s Dragon and The Cat From Outer Space in the ‘70s.
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